Words and Phrases That You Can’t Stand

Originally posted on Scatterbooker:

Source: http://www.google.com.au/imgres?imgurl=https://c1.staticflickr.com/5/4102/4887622204_331b0e173f_b.jpg&imgrefurl=https://www.flickr.com/photos/stockerre/4887622204/&h=755&w=1024&tbnid=3OKYEtWDvtkuqM:&zoom=1&docid=0VcbN3ZOHjejGM&ei=2kbwVOveNqXWmgXhnIGgDg&tbm=isch&ved=0CEoQMygkMCQ Source: http://www.google.com.au/imgres?imgurl=https://c1.staticflickr.com/5/4102/4887622204_331b0e173f_b.jpg&imgrefurl=https://www.flickr.com/photos/stockerre/4887622204/&h=755&w=1024&tbnid=3OKYEtWDvtkuqM:&zoom=1&docid=0VcbN3ZOHjejGM&ei=2kbwVOveNqXWmgXhnIGgDg&tbm=isch&ved=0CEoQMygkMCQ

A while ago I wrote a list of some of the words and phrases that I just can’t stand. 

I received such an overwhelming list of horrible words and phrases that I had left out of my list that I thought I should share them with you all.

Belinda from Bookarahma thought that I should have included:

Bae

Youse

H pronounced as “Haitch”

I could care less – that means you care!

Baby Bunting – an Australian baby store which does sound pretty awful!

Mistral from Mistral Dawn’s Musings wrote that:

For me it’s not so much the specific words that drive me crazy, it’s the way some people pick at things. If something is amazing, or a person is very talented, there is no reason to go searching for something bad to say about it or them. Why do some people feel like they just *have* to…

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Reading for Better Writing

It’s important to know what kind of writer you are so you can hone and focus your skills more efficiently. Every writer I know already does this. Romance writers read extensively in the genre, thriller writers read thrillers, etc. Reading other authors in your chosen genre helps you keep up with current trends and even avoid pitfalls.

Reading makes good writers better, but I don’t think limiting your reading to any one genre is a good idea. One good thing about the Internet is that writers meet and become familiar, or even friends with, authors who swim in different depths of the genre pool. Reading a friend’s work becomes an act of friendship, support and kindness, and when that work is in a different genre, your own reading experience is enriched.

As vital as reading is writing. Writing every day, writing when it hurts and especially when it doesn’t, is how authors earn the title. So what if that thousand words you produced before lunchtime sucks royal eggs? The thousand you produce before suppertime might be golden eggs. You just keep at it, day after day, until you’re satisfied with the result.

Or at least, as satisfied as you can be when you’re ready to publish. Inevitably, the minute you publish, you’ll think of something you forgot to say, a mistake you forgot to correct. Mistakes need to be corrected, but the rest of it – probably not. I don’t think any professional writer would stop editing, ever, if they could get away with it. Move on.

For those in the field of science fiction and technothrillers, aren’t these the most exciting times? Drones! Smart watches! Cars that drive themselves! Oceans on other planets! Hardly a day goes by that the latest tech news doesn’t give me an idea for a plotline. It’s like living in an Ian Fleming novel. Soak it all up. Read the latest news, read new books.

Then turn off the TV, get off Facebook, re-shelve those books you’re reading. Sit your butt down and write.

Words and Phrases That I Just Can’t Stand

This is from Scatterbooker’s blog. I’m not Aussie, but you don’t have to be to dislike some of these words and phrases.

Words and Phrases That I Just Can’t Stand.

A Buffet of Words

Writer Ruth de Jauregui’s blog post on the Demand Media site gives some good advice on writing. Yes, she’s talking about article writing for Demand, but her advice easily translates to writing of any kind. Check it out.

A Buffet of Words.

Writing Process Blog Tour – My Part!

Many thanks to my friend and fellow fictioneer, Jerilyn Dufresne, author of the charming and funny Sam Darling mystery series. She tagged me in her recent blog post (Read it here). Thanks, Jer! I enjoyed the challenge.

What are you working on now?

Lately, I’ve been emulating a scattergun – I’m working on four books. In addition to researching and writing the sequel and prequel to Memory’s Child, I’m also updating and revamping a mystery/suspense novel (Dying to Meet You) and a romance/adventure novel (Trial Run). Both of the latter are set in Florida.

How does my work differ from others in its genre?Memory's Child

Well, how many books do you know of that were generated by a can of tuna? Seriously, I found myself in a small, neighborhood grocery store one day, staring at an entire shelf section packed with cans of tuna. I thought about all the grocery stores in my city and all the cans of tuna they stocked, then all the stores in the country and so on. The idea of all those dead fish was staggering, and I wondered how long the ocean could continue to pro
duce so much fish if the population keeps growing.  You see where that kind of thinking is likely to go.

Memory’s Child is more than a cautionary or post-apocalyptic tale about humanity outgrowing the resources of this planet, though. The idea of prejudice as a fundamental part of humans’ makeup is another of the book’s premises, and it’s an important one, I think. In Memory’s Child, the circumstances of the past have changed the focus of prejudice. As Shelana, the protagonist says, humans no longer have “distinctions of color or collar or cash,” but have replaced that with another kind of prejudice – against intellect. “Hate what you do not comprehend, wage war on what you fear, and destroy what you cannot have. Prejudice is as old as mankind,” she says. I thought that idea was unique enough to explore.

Why do I write what I do?

Good question, and I have no idea. Much of the story in Memory’s Child simply erupted shortly after the tuna incident. I was not planning a novel, had not thought about this story, and had no idea it lurked in my pen, waiting to attach itself to paper. I wrote the word “aberration” on a blank page in my notebook, and from that point forward, I just went along for the ride. If you can imagine trying to write, longhand, every word of a book as it is read to you, that’s what it was like getting Memory’s Child on paper. I wrote as fast as the pen would move, terrified that I would miss something important, eager to read what would happen next.

Over the cpen_nib_with_reflectionourse of about four days, I learned the story as it appeared on the page. I only stopped writing when I fell asleep, pen in hand. I still have the original manuscript with odd little squiggles marking the page. My husband, Randy, brought me food and made sure nobody bothered me with visits or phone calls.

Those were among the very best days of my life. Later, typing the manuscript from those handwritten pages, I added descriptions and other details that weren’t in the original narrative. The story came first, the details later.

How does my writing process work?

Sadly, no other stories have flowed from my pen the way Memory’s Child did. Writing would be so much easier if they did! Instead, I write more than I should, adding and subtracting scenes as I go, until I find what works. I still write longhand and I do not outline as many authors do. Once I tell the story, I’m done, and an outline is, to my odd brain, the same as telling the story. The book would never get past the outlining stage. Instead, I start at the beginning and just keep going to the end. When the story is written, I add in transitions and descriptions (I prefer dialogue and action to writing description). This is my first edit. The whole thing is put away for at least a month to let the story steep. Then I pull it out and edit, edit, edit until I’m happy with it, which can take months. I still itch to edit Memory’s Child as ideas continue to occur to me.

What are my writing plans for the future?

Once the prequel and sequel are finished, I plan to complete the rewrite of Dying to Meet You, then Trial Run. I have a couple more novels in the very-rough-draft stage: Fair Warning and Katie Enigma. My goal is to finish at least the first four this year, if recent health issues allow. After that, I’d like to take my time on Fair Warning, especially, since the plot of that one is quite intricate.

I haven’t warned them, but I’d like to tag Allyson K. Abbott, author of the Mack’s Bar mysteries, a unique new series, and Lauren Clark, author of Dancing Naked in Dixie, Stay Tuned and Stardust Summer.

Link

Writing Process Blog Tour

Writing Process Blog Tour

My friend, Jerilyn Dufresne, author of the wonderful new mysteries featuring the inimitable Sam Darling, posted an interesting description of her writing process. Check it out, and check back here tomorrow morning when I’ll be posting my own experience in response to Jer’s tagging me. Enjoy.

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